My time in the education department at CHNM has passed quickly, but it has also been deeply enriching. I’ve learned a lot about the challenges of creating historical scholarship geared toward K-12 students and have come to appreciate the importance of integrating digital media in the classroom. As one can imagine, coming into the Center with limited technical skills can be intimidating, but in these seven weeks the combination of course content and fellowship activities has greatly reduced my concerns.
The Digital History Fellowship is situated at the convergence of three separate goals for graduate students at George Mason University. First, all graduate students in the Department of History and Art History are required to take courses in digital history, usually consisting of one class in theory or study and another in practice (collectively referred to as Clio I and II). These classes are designed to give graduate students an introduction to the concepts and practices of digital history and new media that are increasingly important for scholars in all disciplines. Although experiences in the classes are widely varied, the skills introduced in the courses are common throughout digital humanities and form the backbone of the work done here at the RRCHNM. Because DH Fellows work in the center while learning new skills, they benefit ongoing research and grow their own capabilities.
Second, each DH Fellow is pursuing a minor field in digital history, which can take the form of study for teaching, application, or research. Some of us have studied how to use digital tools and media in the classroom, while others have examined the methods used in digital public history. Because the fellowship is technically a practicum course, it qualifies as a component of our minor fields, which removes some of the difficulty in assembling the required classes. Some of our colleagues in the program who are also completing digital history minor fields often struggle to scrape together a handful of classes that are offered infrequently (due to scarcity of instructors). Although the program and the center are working to resolve the problem, the fellowship sidesteps the issue by allowing us to work as DH researchers in return for class credit.
Finally, the fellowship fulfills a new goal for the history program: to train graduate students in digital history methods and skills through practical training alongside senior researchers, and to engage those students in the production of new digital history projects. Generally, our experiences are directed toward increasing our abilities while also contributing to the field. Though other graduate students have worked as research assistants in the center, acquiring valuable skills and experience as they work on projects, the fellowship is somewhat unique in its clear, mutually beneficial goals. And that’s exactly the problem.
For the past few weeks at the Center for History and New Media, my fellow first year Digital History Fellows and myself were assigned to work in the Education division, which produces projects that are designed to teach history to a wide scope of people through various educational resources. While in the Education division, we have been working with a new web project meant to engage and educate the audience by allowing them to examine liberty in the United States in a new and interesting way. This is achieved by incorporating age and ability-appropriate “challenges” and access to primary documents and images. This project seeks an audience of teachers, K-12 students, as well as the general public.
There are intriguing methods in creating a challenge for students. While creating our own challenge for the project, there were multiple questions that we had to ask ourselves. First, what was the goal of the project? What did we want the students to achieve from doing the challenge? What skills would they use? In terms of examining the sources, we attempted to view them in an analytic manner, but with a basic guided direction so that the students do not get overwhelmed. We wanted the students to come away with an understanding of the importance of understanding not only the document itself, but also their context. By giving the students a choice of what documents they could utilize for their own project, it allows them to view our examples and use the skills they gained to create an interesting project from their understanding.
Although this project has yet to publicly launch, I have been testing the website from multiple angles to ensure that it will work properly for the end users. This has certainly been a fun process for me, as I have had to work as both a teacher and a student! This meant that I had to get myself into a mindset of, “if I were in tenth grade, how would I have completed this assignment? What did I know? What did I not know?” It was also quite engaging to utilize the primary documents and photographs in conjunction with the provided tools to create interesting projects with the website. I would imagine that K-12 aged students would also find this to be quite exciting, but I also think that it would be a fun experience for teachers who are designing challenges for their students, as well. I know all of the DH Fellows that worked on this project took our assignments very seriously beyond just the testing phase, as we worked for hours to perfect our challenge assignments!
Originally posted on Center for History and New Media Blog
We all know that graduate students working in Digital Humanities Centers have the unique experience to work on a variety of projects and enhance technical and development skills. We have the chance to add lines to our CVs that can improve our chances of getting both academic and non-academic jobs, and get to see our names on the about pages of apps and websites. What I haven’t really seen in discussions about grad students in Centers is a conversation regarding the more immediate academic and social benefits–and challenges–that go along with participating in and working on-site at these Centers. We should also consider talking about how we can connect and collaborate with other grad students in similar situations.
Receiving a fellowship in the first year of its inception comes with a few advantages. When we entered the program last year, discussions about the structure and purpose of the fellowship were ongoing and the syllabus was somewhat fluid. This allowed us to express our own desires for the fellowship course, while also being privy to conversations about what the fellowship should aspire to. Meeting with senior staff and project leaders, we were able to quickly survey the types of work being done at the center and the resulting possibilities for DH fellows. Many of the staff were as curious as we were about the fellowship and this led to meaningful conversations about the Center as a whole.
The Digital History Fellows occupy a fairly unique role amongst the many graduate students currently studying in the humanities. We have been given research stipends to support the growth of our research capabilities, with particular emphasis on digital research methods. Because we are attached to the RRCHNM, our concentrated efforts are focused on specific projects, to which we contribute time and energy while developing digital methods and skills. We and the center benefit from the symbiotic relationship.
My first introduction to the Center for History and New Media happened without my even realizing it. As a graduate student at Gallaudet University, a professor urgently encouraged us to begin using Zotero and as I rounded the corner on two Masters theses, the value of this tool was not lost on me. Only after I had begun the process of applying to history programs did I realize that my favorite citation tool had its origins here at George Mason University and CHNM.
Prior to arriving at George Mason University, I had some experience with Digital History and as a result was familiar with the Roy Rosenzweig Center for History and New Media (RRCHNM). I earned my masters degree at California State University San Marcos where I took several digital history courses. It was in these courses that I first became familiar with RRCHNM and the digital history projects that it had created. Looking at the center from the outside, it was hard to get a grasp on exactly how it operated and what kinds of things went on in the center on a daily basis.
As a Master’s student studying public history at the University of Central Florida, I often heard much about the Roy Rosenzweig Center for History and New Media. I utilized several of their projects for my own research and exhibits! Who knew that my next step would be to work in the Center for my PhD at George Mason University?
Before beginning the Papers of the War Department rotation, I was mostly interested in learning about the archive itself, how the content was collected, and about the process of managing volunteers for crowdsource transcriptions. As someone who studies the history of South Africa, and who knows little about the American Revolution, I did not expect to find much content that would be particularly applicable to my own research or interests.