This past Friday, I co-produced a Digital Campus Podcast with help from my digital history mentor and second-year Digital History Fellow at the Center, Anne Ladyem McDivitt. Stephen Robertson hosted, and Dan Cohen, Amanda French, Mills Kelly, and Tom Scheinfeldt joined the discussion. Of particular interest to me was their debate about the use of Twitter as an academic outlet, how it has evolved, and the possibilities for the future. Will the academic community return to blogging or will Tumblr be the go-to platform?
As the first term of 2013-14 closes, it seems appropriate to reflect on the experiences of the Digital History Fellows. Last year, our first cohort of DH Fellows spent the first semester meeting with Dan Cohen, learning the history of the center, discussing current projects, and thinking about how digital history is practiced. We spent our second semester working in each of the divisions for five weeks, and then decided in which division we would like to work in the second year. Although there was no specific requirement that we take positions spread across the three divisions, we were drawn in different directions. From the first days of the fellowship, Ben Hurwitz was most comfortable in Education and quickly entrenched himself at their community table. He now works on various educational projects, including the Popular Romance Project. Amanda Morton worked closely with Fred Gibbs before he relocated to New Mexico, which helped her transition into Research, where she works on Digital Humanities Now and related PressForward projects. Spencer Roberts was drifting toward Public Projects before the summer started, and settled in once the center received a grant to work with the National Park Service to revamp their War of 1812 site.
This year we welcomed three new members into the fellowship, bringing our total number to six. The second cohort follows a different schedule in their first year, so Amanda Regan, Anne Ladyem McDivitt, and Jannelle Legg stepped directly into the mix at RRCHNM, splitting their semester into seven-week blocks in Education and Public Projects. During those weeks, they have written reflective posts about the projects to which they’ve contributed, all of which can be found here. Next term, they will spend a block in Research before moving into a final seminar with Stephen Robertson.
The Digital History Fellowship is situated at the convergence of three separate goals for graduate students at George Mason University. First, all graduate students in the Department of History and Art History are required to take courses in digital history, usually consisting of one class in theory or study and another in practice (collectively referred to as Clio I and II). These classes are designed to give graduate students an introduction to the concepts and practices of digital history and new media that are increasingly important for scholars in all disciplines. Although experiences in the classes are widely varied, the skills introduced in the courses are common throughout digital humanities and form the backbone of the work done here at the RRCHNM. Because DH Fellows work in the center while learning new skills, they benefit ongoing research and grow their own capabilities.
Second, each DH Fellow is pursuing a minor field in digital history, which can take the form of study for teaching, application, or research. Some of us have studied how to use digital tools and media in the classroom, while others have examined the methods used in digital public history. Because the fellowship is technically a practicum course, it qualifies as a component of our minor fields, which removes some of the difficulty in assembling the required classes. Some of our colleagues in the program who are also completing digital history minor fields often struggle to scrape together a handful of classes that are offered infrequently (due to scarcity of instructors). Although the program and the center are working to resolve the problem, the fellowship sidesteps the issue by allowing us to work as DH researchers in return for class credit.
Finally, the fellowship fulfills a new goal for the history program: to train graduate students in digital history methods and skills through practical training alongside senior researchers, and to engage those students in the production of new digital history projects. Generally, our experiences are directed toward increasing our abilities while also contributing to the field. Though other graduate students have worked as research assistants in the center, acquiring valuable skills and experience as they work on projects, the fellowship is somewhat unique in its clear, mutually beneficial goals. And that’s exactly the problem.