Teaching History in the Digital Age

September 28, 2006

Could Less Be More? The Possibilities of Learning in the Digital Age.

Filed under: Uncategorized, history and tech, matthew — Matthew Gravely @ 6:56 pm

In the now copious realm of using digital media for educating our students, does the adage “less is more” make any sense? Since many educators are now reforming their pedagogies to teach history through using the web, a concern for many historians, oral historians in particular, is that learning through the internet may ultimately result in not emphasizing what needs to be learnt. Are they correct in their assumptions? Possibly. However, what we should focus our efforts on is not a swift and immediate relapse into teaching history before the introduction of the web; we should focus on making the net easier to use for the history student. These articles reflect on the possibilties and concerns for students who are learning and living in the age of the Internet.

There are those hardliners who believe that the Internet is interfering in the educational process that takes place between the teacher and student. What they fail to realize is that the web can offer a myriad of possibilties; it just needs to be used in the proper manner. In the article, Beyond Amusement: Reflections on Multimedia, Pedagogy, and Digital Literacy in the History Seminar, author David Ringrose of Minot State University believes that using the web for multimedia projects is a very useful way to convey well-thought ideas to everyone in the seminar. He writes that a common, but misguided goal for students is “to satisfy one reader: the professor.” He goes on to mention that these kinds of projects would require the presenter to”satisfy a broad audience.” As a result, everyone would take away a sense of what the project is about, thus making these projects a collaborative effort in learning. This should be the goal of all educators: to create a balanced environment that allows students to feel comfortable with giving presentations, participating in discussion, and lessen the polarity between the teacher and student. I believe that this sort of thing can be achieved through the teaching and learning how to use the web as a source of multimedia. But why use multimedia for teaching and learning history?

In Mary A. Larson’s article, Potential, Potential, Potential: The Marriage of Oral History and the World Wide Web, she makes a great case for the usage of the web as a beneficial tool in oral history…

(Oral historians – do not fret! The web has got ya covered.)

There always has been a concern about plagiarism among historians in academia. This is why I believe that many historians find it hard to shake their nervousness and reluctancy towards using the web. However, the issues that constitute what type of material is fit for using in the public domain has been carried over from the transcribed world, so its not like every web creator has a knack for plagairising. Yet, many hardliners still believe that using the web in the classroom may put their jobs in jeopardy. Or, could it be that many of these traditionalists have no clue how to teach in a web-based environment? By either standard, we should promote using cutting-edge technology in the classroom for the reason that it seems like such a natural progression; a progression that is inevitable. Am I wrong to say this? Larson acknowledges that their are many programs (in both K-12 and college) that are using the web to document oral history – such as taped interviews, sound-bytes and pictures. The goal of the web is not to make things harder for the historian; the goal is to integrate these elements into an easy and efficient interface, or web design, that would ultimately make learning history easier for the student.

So, is less actually more when talking about implementing digital technology in the classroom? Or, maybe we should rephrase this adage: Could less difficulty while using the web contribute to more learning? Sure, I don’t see why not.

(I’ve been patiently awaiting the arrival of the Sarah Horton book from Amazon…It should have been here 3 days ago.. I will post on that book before Tuesday.)

Matt

September 25, 2006

It’s the Design, Stupid!

Filed under: Uncategorized, history and tech, ken — Ken @ 10:28 pm

There seemed to be some disconnect between the various readings this week. Two major topics seemed to be the focus of the authors’ concerns. Some wrote on the creation of digital content which might be used in a classroom setting, while others explored the utility of such documents in both classroom activities and in planning a curriculum. In both cases however, the underlying theme was the buzzword of the semester so far: design.

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Week 5: The Digital Age

Filed under: gretchen, history and tech — Gretchen @ 5:45 pm

Reading the articles for this week as well as viewing “Exploring the French Revolution” and “Who Killed William Robinson” makes one realize that the digital age is rapidly changing.  The articles set forth, although varying in their relevance to digital media today, prompt questions of how to properly use digital media.  Each article and website (with abstract) had me noting various layers necessary to “properly” incorporate new technologies in the classroom.

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Music and its Overall Importance in History

Filed under: history and tech, matthew — Matthew Gravely @ 5:16 pm

I like to think of music as one of the oldest forms of communication. I imagine hearing the deadening drumbeat of tribes at war. I hear wood-like instruments that inaugurate the proceedings of a ceremony. I hear the lovely wash of sound of the violin being played at a classical music concert. I hear The Jesus and the Mary Chains’, Psychocandy, rotating on my playlist as I write this.

But what exactly is music? Is it just an arrangement of noises that sound melodic, or amelodic to the ear? Is it the message that most people gravitate towards, or is it the styling? What kind of importance does music play in history, and is music a reaction to the current issues of the time? These are questions that I ask myself while listening close to my favorite bands.

For those of you not familiar with Fort Reno Park, it is a field located right across from Woodrow Wilson High School in Washington D.C. Every summer people flock to to this space to hear local musicians play music for free. I have attended many shows there, which include: Fugazi, Q and Not U, among other notable D.C. acts (mostly rooted in the punk scene.) Aside from the normal thoughts that everybody (including myself) have while attending a concert such as: What kind of instruments are they using? Do I recognize the songs? Are they improvising? Are they hiring a new roadie (in which case I would feel a great obligation to help out)… I begin to wonder: What is music? Why do we have it? And, are the songs being represented in a historical context? Or, to a larger extent, once the music stops, what kind of meanings or interpretations can we derive from the sounds? This is very perplexing to me.

Does music only exist in a time capsule, or is it present and for the moment? Certainly, live music can be thought of as”in the moment”, but can recorded music be treated as history? In a broad sense, the answer to this question is yes. But, how do we treat music in this way without subscribing to the usual way of writing about music (i.e. focusing too mush on the band’s stance, or their legal troubles?) What about writing on the actaul music itself? Yes, reviewers are able to accomplish this, but not convincingly. For instance, one reviewer may claim that the song was “very moving”, while the other reviewer may refer to the song as “utter trash.” Thus, the writing, or reviewing of music seems very objectional and opinionated.

Which leads me to pose this question: Can music be analyzed beyond the usual trappings of writing objectionally?

September 23, 2006

Digital Learning

Filed under: history and tech, michelle — Michelle @ 8:40 pm

The world moves very fast – faster every day.  Using the web fits into the culture of instantaneous information, 24 hour accessibility, and laziness too.  Students no longer need to go to the library, but can still do research at all hours of the night or day.  The working world also requires use of web technology.  Communicating by email and using computers in general has really become a common part of life.    The percentage of students with computers in their homes is probably much higher today than the 30% figure from Linda Pomerantz’s 2001 observation.  This means that we cannot ignore the internet and other sources of media as well.  As time passes, students will bring more and more knowledge of technology with them.  Hence, I found the example of the French Revolution on CD-ROM to be rather old-fashioned.  I hope this project has been converted to an online version.  The necessity of purchase involved in a CD-ROM does address the income potential for the author.  How do internet publications make money for their creators?  While professors and secondary instructors are inspired by a love of teaching; the financial rewards (as well as scholarly) associated with publication must be floating around in their minds.
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There is no indication that reliability of sources on the web will change significantly.  Therefore instruction about the pitfalls of web research is a new important part of teaching.  As internet usage continues to increase, the consequences and benefits will become more evident at an earlier and earlier time in students’ learning experience.  Just as students have to learn about using primary versus secondary sources, how to cite, how to use indexes, and write a bibliography; adding evaluation of internet research methods to the list will be necessary.  Teaching and learning certainly aren’t static.
When we go “public” by using the internet, we invite all sorts of people into our world of historic inquiry.  The non-historian will show up with questions which might make us cringe.  However, we also have a much wider audience to bestow techniques upon.  We can spread knowledge by inviting discourse among all interested parties (from anywhere) and increase learning; especially among adults who are the unofficial sources for information for impressionable youth.  We must remember that no question is unworthy.  Our job in the digital age is to provide “good” sites with proper credit to sources.  Getting the public involved does make our job harder, but a larger diverse audience makes it even more important.
Wineburg seems to be the only scholar who is focusing on how students learn using alternative media sources for instruction.  Is the question though how they learn or if they learn?  In the immediate moment, are we more concerned just about the “if?”  In case we are, if professors enjoy themselves more during lecture, then students will also enjoy themselves.  Learning is work in progress.  It’s easier to work while having fun and the product is usually much better than what is developed under duress.
If it’s more interesting, won’t students pay closer attention and “get” more of what’s being presented?
In response to the “Who Killed William Robinson?” site:
          I agree that it is annoying that we can’t see the postings of interpretations of the site.  Also, visiting each primary source was cumbersome.  Could some of the shorter sources be available in full at the main site?  Were there copyright issues involved?
          I liked the CSI quality to the subject.  If I were a student, I would enjoy this project.  Have more like it popped up?

September 12, 2006

Wiki

Filed under: history and tech, mills — tkelly7 @ 6:16 pm

Hi all:

It’s not often that we actually get to see an incident of vandalism in the Wikipedia. Today was my lucky day. Read all about it in my blog.

See you in a bit.

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