Browse Items (46 total)

http://chnm.gmu.edu/revolution/files/original/d2e91c3e0b1c54bcb717326dbe73381b.jpg

1798-1817

The memory of the Queen is glorified in this image.
http://chnm.gmu.edu/revolution/files/original/a35ba1bfe676a569026b16e9d1503568.jpg

1789

This print depicts the Third Estate—represented by the peasant at the rear of the chariot, the worker leading the horse, and the merchant driving—delivering to the National Assembly a petition listing "abuses" to be remedied.
http://chnm.gmu.edu/revolution/files/original/b3a6d0d376ecc0cfbbb26d8ce79a0a41.jpg

1794

These depictions show the Festival of the Supreme Being, a massive pageant staged by Jacques–Louis David on 8 June 1794, in open air on the "Field of Reunion," formerly the royal army’s parade ground. At David’s orders, a huge mountain was erected on…
http://chnm.gmu.edu/revolution/files/original/febbe65012049efe961e90e7cf3c2130.jpg

1793-1794

To contemporaries who subscribed to the Enlightenment, the term "reason" was to be contrasted to superstition. Even though Christians, too, believed in reason, they also wanted to make room for the possibility of God’s intervention, particularly in…
http://chnm.gmu.edu/revolution/files/original/50423aebab263a81dd5f04e289552de3.jpg

1798

This engraving uses classical figures to depict allegorically an alliance of Prussia, Britain, and Austria, represented as "Tyranny, Hypocrisy, and Pride," who seek to divide the map of France among themselves, while the French Nation prepares to…
http://chnm.gmu.edu/revolution/files/original/62becf2b04e5cb18587b880826d98bb4.jpg

1793

Female revolutionary figures stood for all kinds of qualities and virtues, in this case, "Truth." Women figures appeared so prominently in paintings and engravings because French nouns for the qualities and virtues were usually feminine (Truth = La…
http://chnm.gmu.edu/revolution/files/original/53f5c46785fccec88bbba53532d67026.jpg

1794

Another version of the final meeting of the King with his family. To the left is his confessor; the figure to the right is most likely Cléry, the King’s valet.
http://chnm.gmu.edu/revolution/files/original/4af01ae8c04e973031a571d9626b21b6.jpg

1792

Of particular interest in this caricature of refractory clergy here are the long noses, traditionally used to caricature Jews, that suggest the refractory clergy were not of the people. This image shows resistant clergy marching in their last…
http://chnm.gmu.edu/revolution/files/original/9862fe56ebe0bd460bf8a4e3db53278b.jpg

1791-1792

Many refractory clergy left France to join other detractors, as this print shows, or wishfully encourages. However, this is an ambiguous image, which leaves open the possibility that rather than joining foreign monarchies, the clergy are crossing the…
http://chnm.gmu.edu/revolution/files/original/7d4916d1e650e0aaf706fcdf7c21ecfc.jpg

1794

In this watercolor of the Festival of the Supreme Being, we see a procession that includes a woman wearing a Phrygian cap paraded past a statue of Hercules holding two smaller statues of Liberty and Equality, towards a Liberty tree, atop the hill. In…
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