Browse Items (102 total)

http://chnm.gmu.edu/revolution/files/original/febbe65012049efe961e90e7cf3c2130.jpg

1793-1794

To contemporaries who subscribed to the Enlightenment, the term "reason" was to be contrasted to superstition. Even though Christians, too, believed in reason, they also wanted to make room for the possibility of God’s intervention, particularly in…
http://chnm.gmu.edu/revolution/files/original/3acfbc241c7ed8faad1081b47aeca35f.jpg

1793-1794

Even before the Revolution, the French had used a woman in a toga to symbolize liberty. By July 1789 this symbol had become quite common and would only grow more familiar over the revolutionary decade. Generally the female Liberty was a poised…
http://chnm.gmu.edu/revolution/files/original/2720d3de4a0bba4d7589a2b171eb0e88.jpg

1805

The second image, a color drawing by the popular English caricaturist James Gillray in 1805 during the Empire, takes a different view of the Directory, suggesting that it is a time of moral decadence and self–aggrandizement. It depicts Paul Barras,…
http://chnm.gmu.edu/revolution/files/original/b3c17e6d5040084f7253007b539adbf4.jpg

1805-1815

Some months after the execution of her husband, Marie Antoinette found herself in the dock of the public prosecutor, Antoine Quentin Fouquier–Tinville. The intervention of the radical journalist Jacques–René Hébert had pushed her case to the top, and…
http://chnm.gmu.edu/revolution/files/original/5dd4929b042d6bf5ab1540d48470ddbc.jpg

1789

The women who arrived, though lightly armed, were no shrinking violets. They insisted that the royal family return to Paris where, in fact, they would find themselves under virtual house arrest.
http://chnm.gmu.edu/revolution/files/original/5e05c71ad54359b51f466f576ef2c4b3.jpg

1796

In this engraving of the Festival of Reunion or Unity of 10 August 1793, a female statue of Nature in the form of the Egyptian goddess Isis represents the regeneration of the French people. It sits on the site of the Bastille prison, whose fall…
http://chnm.gmu.edu/revolution/files/original/b9c021e885587b4d92183e9aa3fa0ba9.jpg

1799

This painting of the period by Gillaume Guillon Lethière shows the emotion caused by the prospect of loved ones departing for the army. Women had to part with their families in order to support the nation in its time of need. Notice the female statue…
http://chnm.gmu.edu/revolution/files/original/d6b9f4e2678e7e8b78bbb4eea65e4b4c.jpg

1938

A similar emphasis on patriotic unity can be seen in Jean Renoir’s film, La Marseillaise (1938). The movie tells the story of France’s national anthem, composed by Rouget de Lisle as a way to rally the troops. The song, written for soldiers from…
http://chnm.gmu.edu/revolution/files/original/86b3a24cd3a34e9e13e39822e50c5151.jpg

1790

In this extraordinary painting stands a formidable and powerful figure of liberty with her pike and cap. As the title of this work suggests, Liberty appears here as a warrior surveying the field of battle from a commanding height. Furthermore, the…
http://chnm.gmu.edu/revolution/files/original/327d0fa11ae70b70a6cb8331d913a7e5.jpg

1792-1799

Revolutionaries redesigned playing cards in order to eliminate references to royalty (kings, queens, jacks) and replace them with great men and abstract virtues.
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