EDITORS' INTRODUCTION
Pamela Haag
and Dewar Mcleod

FEATURE ARTICLES

Reconstructing Representation: Social Types, Readers, and the Pictorial Press, 1865-1877
Joshua Brown

Contested Cultures of American Refinement: Theatrical Manager Sylvester Poli, His Audiences, and the Vaudeville
Industry, 1890-1920
Kathryn J. Oberdeck

"The Grandest and Most Cosmopolitan Object Teacher": Buffalo Bill's Wild West and the Politics of American
Identity, 1883-1899
Jonathan D. Martin

Fears of the White Unconscious: Music, Race, and Identification in the Censorship of "Cop Killer"
Barry Shank

PUBLIC HISTORY

Claude Berri's Geriminal
Donald Reid

Clocks for Seeing: Technologies of Memory, Popular Aesthetics, and the Home Movie
Grace Elizabeth Hale and Beth Loffreda

TEACHING RADICAL HISTORY

Material, Girls: Women and Popular Culture in the Twentieth Century
Jennifer Scanlon

On Teaching U.S. Cultural History to Graduate Students
David Nasaw

Why I'll Never Teach Rock'n'Roll Again
Sean McCann

I Know, It's Only Rock 'n' Roll, But I Teach It
Dewar MacLeod

PAST IN PRINT

The Sex Revolts: Reading Gender and Identity in Mass Culture
Jesse Berrett

Remapping Colonial Culture: Feminist Perspectives
Antoinette Burton

Russian Rock and Soul: Seeing History from the Inside
Jim von Geldern

THE ABUSABLE PAST
  R.J. Lambrose

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