Panethnicism and Materiality in America
Monday, February 18th, 2008American society seems all too taken by materiality, jumping quickly to conclusions based upon the aesthetic look of objects and even human beings. One example is the obsession over ancient Egypt in late twentieth century America. In fact, throughout the King Tut exhibition in the United States, the curator made a point to show only the most beautiful pieces regardless of their historical significance or insignificance. This inattention to historicity in America is a dangerous trend that not only permeates our cultural constructs inside and outside the museum but also our idea of race stratifications in America and amongst people on the international front.
As seen specifically amongst African Americans claiming direct blood relation to people of the Middle East, Americans from the past and present will ascribe historicity to objects and people as a result of their appearance. These historical and even biological inferences drawn from the material look of an object or human being demonstrate a backward way of thinking that forge or damage relations amongst with people both domestically and abroad. And this backward thought process in America consequently plays a critical role in the creation of various moral geographies based upon appearances.
For instance, African Americans in the late 1960s found themselves intimately drawn to the plight of Middle Easterners struggling to liberate themselves from colonial and hegemonic imperialistic rule. But the similarities did not end there. “The Arabs, as a colored people,” according to Malcolm X, “should and must make more effort to reach the millions of colored people in America who are related to the Arabs by blood,” (99). Since their dilemma looked the same, as did the color of their skin, then African Americans figured that they must be blood-related kin to the people of the Middle East. In other words, American society reared its citizens to believe that if their physicalities match up then biologically they must be of the same background.
This tendency to judge and categorize according to appearances is clear in the development of the King Tut exhibition. The director of the Metropolitan Museum of Art, Thomas Hoving, went to Cairo and picked out objects not necessarily of historical importance but those that “looked great” (130). According to McAllister, “The history was the frame for the art, rather than the art serving as illustration or evidence for the history,” (130). Once again we see the American inclination to first group together objects and then, in retrospect, assign historical context that fits most conveniently for American foreign and domestic policy.
Not surprisingly, Americans historically partake in panethnicism – the grouping together of massive groups of people based upon the color of their skin and completely disregarding specific cultural or ethnic backgrounds. It is the grand result of this habit described above, a habit set in place by our white founding fathers to help make sense of the different masses of people settling together in this relatively new nation. In regards to re-imagined communities, American society seems to incorporate those objects and people that most resemble our skin color and our present struggle. If only we could spend a split second to look where our history is leading us.