Browse Items (181 total)

http://chnm.gmu.edu/revolution/files/original/3f46b0192de1c836c2e098c3a3a59d91.jpg

1793-1794

Using a woman to represent "Fraternity" seems ironic at best, although theoretically the term might mean the community of humanity. In actuality, when the revolutionaries considered "community," they certainly thought of men far more than women. The…
http://chnm.gmu.edu/revolution/files/original/bcd70041216c1d07cc8c7c4361bc8c40.jpg

1793-1794

At the beginning of the Revolution, the term "equality" meant an end to the legal differences that had characterized the Old Regime. For example, all individuals would be subject to the same regimen of taxation. Over the course of the decade,…
http://chnm.gmu.edu/revolution/files/original/3acfbc241c7ed8faad1081b47aeca35f.jpg

1793-1794

Even before the Revolution, the French had used a woman in a toga to symbolize liberty. By July 1789 this symbol had become quite common and would only grow more familiar over the revolutionary decade. Generally the female Liberty was a poised…
http://chnm.gmu.edu/revolution/files/original/27093a89bb609db4aa6fe7b25b4f20f7.jpg

1789

More common than clashes by workers against employers were protests over the rising price of bread. This color drawing depicts events at the City Hall of Strasbourg on 21 July 1789. Notice that the protesters are tearing up the roof and throwing the…
http://chnm.gmu.edu/revolution/files/original/f009084c8df25a54ca13df96d865951a.jpg

1789

The "bravery of the citizens united against" the royal army, as the text suggests, enabled them to conquer in four hours a fortress that had defeated invasions since 1368.
http://chnm.gmu.edu/revolution/files/original/79753331c9430c6b7bfce009609cfb07.jpg

1799

This engraving, based on a color portrait by Beys, depicts the death of Robespierre on the guillotine. The executioners wear not the traditional hangman’s hood but red bonnets representing liberty. This judgment notes Robespierre’s failure to the…
http://chnm.gmu.edu/revolution/files/original/abff7f2333dc2f0f7eb1aaf8c69b209a.jpg

1789

This watercolor painting illustrates the "demolition" of what the text refers to as the "horrible prison" of the Bastille. As workmen tear down the spires on the roof, ordinary people rip stones off the base. These stones soon became collectors’…
http://chnm.gmu.edu/revolution/files/original/7d4916d1e650e0aaf706fcdf7c21ecfc.jpg

1794

In this watercolor of the Festival of the Supreme Being, we see a procession that includes a woman wearing a Phrygian cap paraded past a statue of Hercules holding two smaller statues of Liberty and Equality, towards a Liberty tree, atop the hill. In…
http://chnm.gmu.edu/revolution/files/original/957c821abdec4c85aa8c001ae3da2af5.jpg

This piece of crockery further demonstrates the sentiments of social unity so prevalent at the Festival of Federation. The crossed sword, pike, clerical staff, and bonnet symbolize the union of the nobility, peasants, clergy, and workers,…
http://chnm.gmu.edu/revolution/files/original/e7f9b59088f9cc30f5b652e7b2e9a653.jpg

1793

This cartoon by the popular British caricaturist James Gillray depicts the British politician Charles James Fox as a sans–culotte. Wearing a cockade in his wig and a bandage on his forehead, the unshaven Fox raises his bloody left hand as he lifts…
Output Formats

atom, dcmes-xml, json, omeka-xml, rss2