Category Archives: Second Year

PressForward Workshop

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This year PressForward has been focused on outreach. The PressForward team has been working to develop the plugin’s user interface and to help several pilot partners get PressForward publications up and running. As the fellow positioned on this project I’ve been involved with the continued development of the plugin. Last weekend, Amanda Morton, a former DH Fellow, and I were given the opportunity to give a PressForward workshop at the Advancing Research Communication and Scholarship (ARCS) conference in Philadelphia. The ARCS conference is “a new conference focused on the evolving and increasingly complex scholarly communication network.” Interdisciplinary in nature, the conference featured a set of workshops on Sunday and a set of diverse panels on Monday. Many of the panels focused on linked and open data, alternative publishing models, alt metrics and other ways of measuring impact, and open access digital repositories. The conference was a great opportunity to interact with organizations and communities that might be interested in PressForward and get an idea of what features might be important to these groups.

Our workshop focused on PressForward and covered topics such as the origins of the project, features that make the plugin standout, and an overview of how we use the plugin to maintain DH Now’s editorial process. Lastly, we set up a sandbox and gave users logins so they could follow along as we walked through important features of the plugin. We had about thirty people from libraries and science organizations attend and it was interesting to hear different ideas about how the plugin might be useful. The workshop was a nice break from some of the more technical things I’ve been doing this semester and it was great to get to talk about the project as a whole and how it fits into the scholarly communication ecosystem.

Below is a copy of the powerpoint we put together for the workshop.

Mentoring as a DH Fellow

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Mentoring with the Digital History Fellows was one of the most meaningful aspects of my time at the Center for History and New Media. Historians often isolate themselves and their research, but with digital history methods, collaboration becomes key to creating something meaningful. Through both my time as a first year and second year, I engaged with other fellows, as well as our colleagues in the program, to help each other learn tools, troubleshoot problems, and also engage in a social, collaborative environment that allowed us to foster a useful learning environment for digital history.

Mentoring had two aspects–the first was the DH Fellows working amongst themselves to solve problems, bounce off ideas, and to work together on projects assigned by the three divisions of CHNM. Second, the DH Fellows created a support space last year that allowed students in Clio 1 and 2 to come into the Center and work, so that if there were problems with their projects, we could collaboratively work to fix and explain in more depth the different tools that they were exposed to.

Lastly, it was helpful to have my mentee, Alyssa, with me to do the Digital Campus Podcast. Together, we came up with stories that we felt were meaningful, interesting, and even were able to produce the live podcast at the 20th Anniversary Conference. This process would be difficult without her, as it helps to have two people bounce ideas around for projects that are already so collaborative in nature.

Mentoring allowed me to create new relationships with fellow historians, learn the collaborative nature of digital history and the best ways to work together, and also how to share and identify problems that could potentially help all of us create better work overall.

Reflecting on the Spring Semester

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Last fall as a DH Fellow, I worked in the education division. My activities focused on the National History Day 100 Leaders project, described in a blog post in December. This spring I moved into the public projects division, working with Megan Brett and Sheila Brennan on the Histories of the National Mall project.

I described some of the activities that I focused on in this division in a previous blog post . In many ways, working on this project has allowed me to do what I enjoy most; research historical subjects and share my findings with others. This project is also unique in that it is not tied to a time period or particular subject. Instead, we are collecting and presenting stories that are connected to a bounded geographic space. Framing research in terms of geography has encouraged me to gravitate toward the subjects that are most interesting to me, while also exposing me to new subjects, people, and events.

I’ve focused particular attention this semester on a research question that considers the monuments and other projects that are unbuilt. Of course, the history of the National Mall includes the structures and monuments that currently fill the space, but it is also marked by the things that were never there. This inquiry was started by other graduate students at the center, but I’ve enjoyed exploring the history of unbuilt monuments and other objects. These provide a rich site for investigation on several levels.

In order to be unbuilt, these items received public support and congressional approval. They have to be conceptualized, designed, and a site must be selected. Each of these decisions reflects the beliefs and attitudes of sculptor, artist, community organizer, and congressperson, as well as the broader community. The debates that memorials and monuments engendered can be very telling, especially in cases like the National Peace Garden which was designed and then redesigned based on feedback from the US Fine Arts Commission. These debates can shape the design of an object or define its placement. Further still, a lack of interest or financial support can mean that a proposal is never completed. Much of this interesting history is obscured because the memorials and monuments they propose are unbuilt and invisible. In many ways, this is the value of a project like Histories of the National Mall. It challenges us to think beyond the existing structures and to visualize what might have been. We can reimagine the space with alternate designs for existing structures, like the Lincoln Memorial, and think further about how the Mall changes with the addition of structures such as the Black Revolutionary War Patriots Memorial or a Benjamin Banneker Memorial. Researching these items has been a fascinating and entertaining part of my semester.

In addition to these tasks, I have also aided in the promotion of the site. In the previous post, I described the social media presence that I have maintained over the semester. But recently I  was also able to take part in some public outreach activities. On a sunny day this spring, I joined Megan Brett  on a whirlwind tour of the greater DC area distributing pamphlets and promotional materials to public libraries, visitors centers and other related institutions. This process highlighted for me the difficulty of creating public history projects online. As much as we’d like to believe the Field of Dreams when Shoeless Joe Jackson tells us, ‘If you build it, they will come.’ The reality is that there can be a disconnect between the people you would like to visit your site and the people who know about it. This activity was a good reminder that even as we increasingly move to digital modes of communication, there is still a measure in which putting foot to pavement is a part of doing digital work.

In general, it has been a busy and fruitful semester in the Public Projects division. The transition from a first-year to a second-year fellow has meant that I have been given greater responsibility in these projects and have a larger stake in completing the tasks. At the end of next week I will be completing my second year as a Digital History Fellow. Looking across this period, I can note that I’ve grown quite a bit in terms of skill and knowledge and in many ways the center has meaningfully fostered this growth.

Romancing the Histories of the National Mall

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This semester, my role in Public Projects has allowed me to work on the Histories of the National Mall project in several ways. Across this period I’ve been involved researching, editing, and posting content on the site, as well as scheduling and posting relevant items to the project’s social media outlets. I’ve also contributed content based on my area of interest (Deaf President Now). These processes have encouraged me to reflect on the nature of public history projects and the way in which our questions can drive us to explore new subjects of interest.

My question started out simply enough. In the midst of scheduling relevant and interesting items for the month of February, Valentines’ Day presented a challenge. The Histories of the National Mall site has over 500 items, including people, events, explorations, images, documents, videos, audio files and scavenger hunts. I generally enjoy finding just the right item to share via Facebook, Twitter and Tumblr. Paddles the Beaver for April Fool’s Day, Senator Pepper playing baseball with Congressional pages for the opening day of Major League Baseball, or the Original Cherry Trees for the first day of the Cherry Blossom festival were fun to put together. But for a holiday commonly associated with candy hearts and romance, there were no Mall items that made immediate sense.

Down the research rabbit hole I went, armed with a question; when and how was the Mall a place of romance? Researching this question took me in a number of different directions. I learned that today, the National Mall is frequently a destination wedding site. Like other public parks, people are drawn to the landscape and monuments when they contemplate the exchange of their wedding vows. This led me to question the emergence of the practice and to consider historical examples of weddings on and around the Mall. As a result of all this digging, three new items were added to the site; The Wedding, White House Weddings, and Mall Weddings.

One of my favorite aspects of the Mall site is the way that hidden, overlooked, and missing items are made visible. It is a good reminder of the way in which the city is a palimpsest – it is inscribed with ideas that are sometimes erased and reinscribed with new meaning. In a space that feels timeless and grounded by monuments and other structures, it is fascinating to surface new historical layers at the National Mall.

My questions about a history of romance on the Mall resulted in three very different examples of how the space was used for weddings; it has served as public place for the exchange of vows since 1976, as an elegant and, largely private, space for presidents and their families to hold ceremonies, and as a site of large-scale protest regarding the treatment of same-sex couples. In asking this question, many more arise. What can these examples tell us about changing notions about marriage? What do they suggest about the meaning of marriage ceremonies? By focusing on weddings, what other examples of romance have been ignored?

Perhaps the best part of working on this project has been the way that questions like these are encouraged. The wide variety of items and item types demonstrates the way in which Mall has been (and continues to be) interrogated from many angles. And as this experience showed, there are further stories, events, and people to be explored. We just have to ask questions.

Fellowship and Mentorship

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During my first year at RRCHNM, Ben Hurwitz served as a guide and mentor to me. As we have described previously, the first year of our fellowship involved an intensive 6 weeks in each division at the center. Ben and the other second-year fellows, Spencer Roberts and Amanda Morton, provided technical support as we worked on projects in each division and advice as we progressed through the program.

Beginning this year as a second-year fellow, I looked forward to being useful to the first-year cohort as they made their way through the center. In a blog post last fall, I described the experience of mentoring the first-year fellows while I was working in the Education division. We worked together to gather multimedia content for videos for the 100 Leaders project, completed some user-testing on the 100 Leaders website, and developed a guidebook for National History Day. I worked to organize the time we spent on each of these activities so that there was a balance between working collaboratively and working on projects individually. I also tried to talk through the challenges that we faced in each of these contexts. For instance, copyright and image rights was a frequent subject of discussion. The process was useful for me in conceptualizing what it entails to organize collaborative projects with a group of people with different interests and skills.

Across this year, I’ve worked most closely with Jordan Bratt, my mentee. As joint producers of the Digital Campus podcast, we’ve worked to schedule the podcast and to research stories for discussion. We’ve used this opportunity to discuss current issues and to share articles of interest, fostering a broader discussion of DH issues and concerns. Outside of this task, Jordan and I converse regularly with regard to his program of study and larger educational goals. Having completed the required courses Clio I and Clio II), I have been able to discuss and advise him on assignments and advise him with regard to course schedules and requirements. We share research interests and our collaboration has led us to fruitful discussions about coursework and research. Jordan comes to GMU and RRCHNM with considerable knowledge and expertise in the field of geography and geographical computing techniques. He has been able to share some of this with me and I can see opportunities for further collaboration in the future.

The mentorship program is useful in several ways. It provides an initial introduction between cohorts and encourages collaboration between them. It provides a sounding board for both groups and encourages us to work together on projects of interest. Working together, across the cohorts, on the Support Space is also useful in enabling us to interact as peers and scholars. The Support Space, described in previous blog posts, provides guidance on digital projects to students from across the program. As they approach us for help, each member of the fellowship program is able to provide assistance. Problems are often resolved collaboratively and this process encourages us to learn from one another even as we aid others.

Reflecting on Live-Tweeting

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Last fall I chose to livetweet the 20th Anniversary conference. I described my experiences at the conference in a blog post, but here I will reflect on the experience of live-tweeting these events. Generally speaking, live-tweeting allows you to make connections and extend the conversation. Sharing your thoughts on twitter, challenging or complicating the presentation, engaging with another conference attendees regarding your interpretation or theirs – each of these actions allows audience members to dive into the conversation in a meaningful and scholarly way.

At many conferences, audience members are expected to passively absorb the presentation. They are only able to engage during the Q&A sessions or among other conference-attendees before or after a presentation. A real-time conversation on twitter allows the audience to engage in an evolving discussion with other experts in the field in an open forum. It also provides a space for emerging scholars to participate in this discourse and the shared experience provides the group with a common language and subject matter. As each participant is also processing the information simultaneously, the conversation is frequently revealing of the ways in which people interpret information. Using a shared hashtag and posting these thoughts in a public forum also makes the content of a conference transparent to those not in the room. In this way, conversations are extended to broader social and intellectual circles.

My day of tweeting was punctuated by my responsibilities as a graduate student volunteer. For part of the conference day, we were divided into break-out sessions where I transcribed the ongoing conversation. Trying to balance these duties with tweeting was complicated, but I tried to make visible the discussion that was taking place. I aimed to tweet at least one meaningful comment from my session and I could see conference attendees at other sessions responding to, and showing interest in, the discussions happening in other rooms. This was also telling about the way in which livetweeting encourages us to put discrete panels and presentations into conversation, allowing scholars to participate at multiple levels.

 

Tweeting as Communication

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Earlier this year, I decided to livetweet the RRCHNM 20th Anniversary Conference, which was significant to me in regards to discussing the topics of the conference itself, but also one of the benefits was that I was able to communicate with other historians about these topics. I received many replies, retweets, and even connected to other historians that would not have been aware of who I was without my tweets. It was a very useful experience, and I believe I gained more from this livetweet, in terms of professional connections and discussions, than previous livetweets I have done. This type of scholarly communication can link together historians that may not necessarily have connected without this type of technology, and it proved useful to me in engaging in the larger discussions surrounding the conference.

Working with Ancestry

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Most of this semester, I have been doing research with Ancestry for the Education Division for a project, and I have learned so much about researching family histories from this project. I’ve also learned more about crowd-sourcing materials, the structure of Ancestry, and the usefulness of the databases for finding people that otherwise may not be traceable.

When I trotted my way into the Fairfax county library system, I was not entirely sure what to expect in going through Ancestry. I had never gone through the databases before, and it took a while to actually learn how to effectively use the system. The difficulty of the process was gathering correct data on research subjects with partial birth or death dates and partial names.  For one, I needed to ensure I had the correct person’s information with sometimes very little to work with. Second, it was difficult, if not impossible, to find certain people.

Since many of these people died during the 19th and early 20th centuries, records were not always clear or present. This is partially why it is sometimes extremely helpful (although there are certainly pitfalls, as well) to have crowdsourced information. Often times, people that are extremely interested in their family histories will ensure that this information is available on Ancestry. This made it significantly easier to correctly identify people. However, as many of us know, family histories can greatly be exaggerated to connect family members to certain places, events, or people, even if it is done without intention or through oral tradition.

I feel like my work through this project allowed me to better understand researching specific people, especially those that may not be as well known. This may particularly be helpful for me in future career choices, and I have also certainly enjoyed the process, although it has been at times a struggle.

Educational Games vs Consumer Games

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For the past few weeks, I’ve been playing through video games that explore civics and history in an attempt to gain insight into what type of educational video games exist out there and what I thought about them. Given my experience with consumer video games, I felt that it would be interesting to play through educational games for comparison. This was an enlightening, and oftentimes quite frustrating, experience for me.

I will say upfront that many of the educational games that I played were not fun. There was no inherent pleasure or excitement in playing them, and that is one of the most important aspects of a video game. One of the educational goals of video games is to make learning fun. Given the types of audiences these games are trying to reach, it seems important to create something that would be fun to play as well as educational. My thoughts throughout the entire process of playing these games is that there are commercially successful games that have really good ideas on how to make a fun game that aren’t particularly complicated in how they run or how to play. Double Fine’s works (Grim Fandango and Broken Age) are a good example of point and click adventure games, and they have engaging stories and gameplay. They are also very accessible in regards to actually playing through the games. The only educational game that I played that I thoroughly enjoyed (Jamestown Game) was only entertaining to me when I was completely going against the history of Jamestown. This game only lasted about 5 minutes total, as well, which is not going to be engaging for long for students, with written explanations of what the Jamestown settlers actually did when everything is completed.

I feel that there must be a way to incorporate the engaging stories of civics and history while including fun gameplay in a way that would make educational games fun and exciting for students. Mission US is the closest to an educational game that had the makings to be something fun while helping students learn. The classic style “point and click” games, where one is able to gain items to solve puzzles and choose dialogue options, have been very successful in commercial venues. This style is what Mission US follows; however, in its attempts to follow history and allow choices, the writing is very flat and uninteresting. If there was a way to keep this style for learning about civics and history while providing a narrative that is well-written and promotes learning while being fun (easier said than done, I know!), I feel that it would be a successful educational game.

The educational games, much to my surprise, also had a lot of accessibility issues. Many of them came with no subtitles, which limits the ability of students with hearing issues to engage with the games. However, this also made me question how students would be playing these games in general. Would they have headphones? Would they play in a classroom? Would they play in groups? These types of questions are important to consider when creating an educational game. I have not encountered many commercial video games that do not have subtitles or allow for toggling them on or off. This feature should be very important to reach a broad audience with educational games. There were also very few games for younger students. The primary focus was on middle and high school students. The few that were accessible to younger students had no educational value whatsoever.

Overall, I felt like this experience was incredibly helpful for me to try and think about what the goals of educational games actually are and how well they accomplish that task. I see that there are currently many limitations on how educational games can work (resources to create them, writing, accessibility, age groups, etc).The primary goal of educational games is to make learning entertaining, but I think that many of the games currently out there miss the mark. Using engaging writing with a coherent storyline–whether it is historical, on civics, or anything else–will help many educational games to reach their intended goal. When I think of educational game, I think of the games I played when I was a kid–Oregon Trail and Where in the World is Carmen San Diego. These were very story-driven games, which I think is the important aspect that we should focus on.

 

Reflections on the Fall Semester in Research

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This year I am a second year fellow and am spending the year in the Research Division working on PressForward.  In addition to working on PressForward, I’ve continued to be involved in the Support Space, Digital Campus, and mentoring the new fellows. Over the course of this semester the PressForward team has been busy wrapping up the first PressForward grant and, in October, we began PressForward 2 which was funded by the Alfred P. Sloan Foundation.  As one of the GRAs on this project I’ve worked on multiple things over the course of the semester including redesigning the PressForward website, continuing to manage DHNow, and was involved in putting together the most recent issue of the Journal of Digital Humanities. In the midst of all of this, we’ve been refining and further developing the next version of the PressForward plugin.  I’ve been testing the plugin and have even started contributing code to the most recent version.

This summer I was given the opportunity to work on PressForward and this enabled me to get a head start on my assignment for this year.  It was incredibly useful to be around for the launch of the plugin and to be able to use the summer to really familiarize myself with the plugin, Digital Humanities Now and other aspects of the division.  In our brief rotation through Research last Spring we didn’t get to spend a lot of time looking at the nitty gritty details of how DH Now or PressForward work.  Over the summer I was able to take some time to familiarize myself with the organization of the plugin and the daily administrative work for DHNow.  It turned out to be such a useful summer because I returned in the Fall ready for the fast paced wrap up of PressForward 1 and the beginning of our implementation phase.

Among the projects I undertook in Research this semester, redesigning the PressForward website took a large amount of my time.  PressForward 2 is an implementation grant and over the next 14 months we will be working with several partners to develop publications using the plugin.  In this new capacity, I was asked to help redesign the website and transition from a blog about a research project on scholarly communication to a website focused on our plugin and its features.  I spent quite a bit of time looking at both the Omeka and Zotero websites and thinking about what made a good digital humanities tool website.  How do you effectively communicated the major features of the tool and its application for both humanities projects and more general use?  The PressForward plugin is available on the WordPress directory and has a wide range of applications outside of just academic publishing.  The website needed to reflect both applications and focus on what makes PressForward different from a standard RSS reader.  Furthermore, it needed to have support forums as we begin to develop a community of users.  Both Omeka and Zotero have very broad and dedicated communities that contribute to these open source projects.  PressForward 2 will be, in part, about cultivating a similar community for our tool and that begins with support and education about the plugin and its uses.

Looking at other examples, I designed a site that very much mirrored the organization of both the Omeka and Zotero sites.  On the homepage the dominant area is filled with tabs that each focus on a key feature of PressForward: the overall point of the plugin, features for collecting, features for discussing, and features for sharing content.  In each tab a large download button takes the user to the PressForward GitHub repository. Below the features are links to each pilot partner’s web page and a link to our blog.  This was a very useful project because it led me to not only think about the way digital humanities tools communicate their goals but also I learned quite a bit of php while I hacked around in the theme. It worked out that I happened to be taking Lincoln Mullen’s Programming for Historians class at the same time and the skills I had learned in that class complimented this project, and working a bit with php, well.  As we move forward I’ll be doing some more theme development for PressForward 2 and will also be contributing, what I can, to UI/UX issues on new versions of the plugin.

In addition to all my work on the PressForward project, I have also been participating in running the Digital History Support Space which is always a rewarding experience.  Over the course of the semester we’ve helped numerous people from all of the Clio I courses and we expect to have more frequent visitors next semester during Clio II.

In November, the center had its twentieth anniversary conference and opened up the API for the archive that we began building last Spring (and Jannelle Legg spent all summer refining and adding content). On Friday, the first day of the conference, a few of us decided to use the API to make a network graph of all the people and projects at the center.  We coded like mad for the whole day, and—with a lot of help from Lincoln Mullen—we ended the day with three network visualizations. I think this was an interesting way to wrap up our work from last year on the archive and was a practical use of the skills Jannelle Legg and I had been learning in Lincoln Mullen’s Programming for Historians seminar.  The visualization reflects some of the decisions we made when creating the archive last summer and the some of the limitations of the archive.  All of the nodes and edges on the graph represent the information provided on the coversheets of grants.  As a result, staff that were hired after the grant was awarded are not reflected on the graph and grants that were iterative aren’t necessarily connected.  I think the project was a great example of the choices that have to made when creating a digital archive and was a fun way to wrap up the project we began last Spring. The visualization is available here. (The visualization was a collaborative effort by: Ken Albers, Peter Carr Jones, Lincoln Mullen, Patrick Murray-John, Allison O’Connor, and Faolan Cheslack-Postava).

We also have a new cohort of Fellows this year and at the beginning of the semester we paired off each second year with a first year to act as a mentor.  Our role is to mentor them throughout their first year.  Their first rotation this semester was through research and over the course of their first two weeks they worked on PressForward and Digital Humanities Now. I helped walk them through the goals of the project and showed them how the plugin worked.  They watched me do Editor in Chief and then served as Editors At Large before taking on Editor in Chief themselves. Walking them through the projects, I was struck by how much of a better understanding of the center and the various projects I have now than when I first began at the center.  Looking back on our first year, its impressive the range of material we were introduced to and the ways it complimented our coursework to provide us with a unique perspective on Digital History.   I’m really looking forward to continuing to work with the new fellows and having one of them in Research next semester.